Jack White has made the quietest kind of loud announcement. His seventh solo album, Frozen Charlotte, is now listed through Third Man Records, with the official product page marking the vinyl as a preorder shipping July 10, 2026. The rollout also puts Dollar Bill into the cycle, following April singles G.O.D. and the Broken Ribs and Derecho Demonico.
The official Third Man listing frames Frozen Charlotte as a 13-track record recorded at White's Third Man Studio in Nashville, with Patrick Keeler on drums, Dominic Davis on bass, and Bobby Emmett on keys. Pitchfork also identifies it as the self-produced follow-up to 2024's No Name, the album White famously pushed into the world through a deliberately sideways release strategy.
That strategy is still the story here. Stereogum traced the reveal through Third Man's Release Lab videos, a Frozen Charlatan character, preorder links, and a visual thread connected to White's recent sculpture work. Variety separately reported that the record appeared for preorder on White's site before a standard announcement landed, which fits the same anti-rollout instinct that made No Name feel like a prank with teeth.
The album details are less slippery. Consequence and DIY both list the same 13-song tracklist, opening with G.O.D. and the Broken Ribs and Derecho Demonico before moving through There's Nobody There, Raising the Grain, You'll Never Fix Me, Nobody Knows, Dollar Bill, I Can't Believe What I'm Hearing, Thick as Thieves, All Alone Again, She's in a Frenzy, Making Contact, and Neighbors Blues.
White is also already deep into the live side of this era. DIY's current routing has him in Europe through June, returning to North America around the album's July arrival, then continuing into late-summer, fall, and November dates. Pitchfork notes the tour is tied to the same live band named on the Third Man listing, which matters because the record is being sold as a studio continuation of that road-tested lineup rather than a sealed-off solo exercise.
Frozen Charlotte sounds, on paper, like White leaning into the raw blues-punk voltage that made No Name feel awake. The presentation is theatrical and intentionally cryptic, but the center is refreshingly blunt: Jack White has another rock record coming in a month, and the machinery around it is weird enough to make the announcement feel alive.